The Philosophy of Baby Style in My Painting

In my work, “Baby Style” is a conscious artistic decision rather than a lack of skill. I use a simplified, child-like visual language to speak about subjects that are almost impossible to process rationally. Specifically, I address war, violence, loss, and moral collapse. This style draws on naïve proportions, softened outlines, and symbolic color to create a profound impact.

The Meaning of Intentional Naivety

I believe that innocence remains present even when the world attempts to destroy it. Consequently, my figures often appear slightly distorted. They resemble drawings made by children before they learn academic rules. Because I avoid academic realism, I allow emotions to speak louder than perfect anatomy. These simplified forms amplify pain and shock. Moreover, this approach mirrors the raw feelings a child experiences when their world collapses.

Contrast and Social Impact

The contrast between soft visual language and brutal subject matter is deliberate. Additionally, in pieces like my Bucha Massacre painting, Baby Style in painting reveals deep layers of meaning:

• It mirrors children’s drawings made during the war.
• It emphasizes the vulnerability of the victims.
• It shows the moral infancy of the aggressor.
• It replaces militaristic aesthetics with honesty and fragility.

Color and Ethical Position

My color palette supports this emotional approach. For instance, I combine symbolic reds and blacks with softer pastel tones. This allows moments of tenderness to appear inside the horror. As a result, the work balances between a cry and a lullaby. Finally, this technique serves as an ethical position. It reminds us that children see war clearly and they never forget. You can see more of this style in my Virtual Gallery or follow my updates on Instagram.